Let's
Don't Lose Our Heads Over This
05-13-04
From
time to time advancements in warfare have given the possessors of new
bella-technologies a distinct advantage. The iron sword inevitably prevailed
over the copper one. Gunpowder and lead superseded spears and arrows.
Horses didn't stand much of a chance against tanks.
The latest advances in warfare include digital cameras and the Internet.
Against a power that can muster long range cruise missiles accurate
to within three feet and helicopter gunships that are agile as dragonflies
and sting like bees, the clever adversary will resort to retro-technology--
a boxcutter or a dagger or a chip no bigger than your fingernail.
The Poet's Eye has to see modern clinical and antiseptic warfare as
an improvement over the older versions. In the old days at places like
Gettysburg and Verdun, the carnage was wholesale and tens of thousands
of young men were killed and maimed and injured for a few feet of ground.
But you had to actually be there in order to get the impact of the event.
Today a few Iraqis get humiliated in a hijacked dungeon, an American
freebooter gets beheaded and thanks to the internet along with quick
and ubiquitous photography, the snicker-snack of the meat machine is
in living-rooms worldwide in a matter of moments.
Consider our own Civil War in which at least 618,000 Americans died.
These casualties exceed the nation's loss in all its other wars, from
the Revolution through Vietnam.
Chalk it up to American ingenuity. We are much better at killing each
other than any of those foreigners or terrorists are at killing us.
And in these days of inflation the currency of war is not backed by
the gold standard of body count that it once was. At Gettysburg we killed
over 50,000 in just three days. But those 50, 000 didn't have nearly
the impact of the three thousand that died in the Trade Tower disaster.
But Gettysburg wasn't televised.
The Vietnam War was the first time pictures became as potent as bombs.
The images and the daily body counts steadily turned Americans against
that adolescent exercise in Imperialism.
We don't have to travel back far in time or far from Baghdad for another
example. The Iraqi-Iranian war (which America tacitly supported) cost
over a million lives. They needed better television. The Internet hadn't
proliferated in the 1980s.
It's upsetting to see a young American's head cut off while you are
waiting for the pizza man to deliver your large thin-crust with sauce
that looks like blood and brain matter. In this way war has become a
video game. Shock and Awe are settings on your Nintendo machine.
Snuff flicks and pornography will always sell. Already on the Internet
you can click into every orifice of the human body with sound and jerky
sexual motion. You can see pictures of young children being used. Why
not snuff flicks?
Death is the ultimate poetry, the finest punctuation. Just imagine what
it would do to the ratings if every time George Bush made a speech on
TV, he ended it by beheading a Muslim with a curved scimitar.
But that's not George Bush's style. He does his murders behind closed
doors by lethal injection. (152 of them during his reign as Governor
of Texas)
Wars are won by poetry.
Death is symbolic. Not every death, but some deaths. Every day, twenty-thousand
deaths on this earth go ignored--deaths by poverty and starvation. Each
and every day, another twenty-thousand. AIDS claims thousands more.
The number of murders in three American cities totals more than the
soldiers killed in the Iraq war in over a year. But one ritual death
can galvanize the world if it is televised.
When one small digital camera can upskirt the entire Imperial United
States military, you know the rules of war have changed. Information
and symbols are the new bullets.
The Poet's Eye sees that one death is worth ten thousand if it is televised.
War has become more efficient. Beware the terrorist armed with a cellphone
camera.
"When Johnny comes marching home again,
Hurrah! Hurrah!
We'll give him a hearty welcome then,
Hurrah! Hurrah!
The men will cheer, the boys will shout,
The ladies they will all turn out,
And we'll all feel gay
When Johnny comes marching home." --Patrick Sarsfield Gilmore
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