What Is the Future of Publishing? Please Discuss
Posted: May 27th, 2010, 8:26 pm
In my observations and meditations concerning the publishing industry and the music industry I think I may be glimpsing a little vision of what is to come. It's pretty obvious what an impact the web has had on these industries. The advent of the internet and its ancillary technologies has turned both the publishing and music businesses on their ears. Everything has changed, not just the method of distribution but also the methods of production and consumption and compensation. Everybody is asking, 'When is this maelstrom of change going to stabilize so we can get back to making money?'
The answer to that question is probably 'never,' the rate of cultural and technological change doesn't show signs of slowing, but I think I can predict what the next hill will look like in this mountain range.
All of the formats are in the process of changing. Our idea of what a newspaper or a book or a recording or a magazine looks like and how it is conceived, produced, distributed and consumed will soon be entirely different. In a real sense we can look for a world in which all information is potentially available to all people. The confusion that we witness right now is the result of the squabble over who is going to be able to charge who for it. My prediction is this: The iPad, in its future iterations will be the new proscenium, the new frame, the new page and arena for publishing of all kinds. Because of the confluence of this device and ones that will follow it and the internet and worldwide telecommunications, the next generation of books, records, newspapers, magazines will all be called apps. This is already happening. For a buck on iTunes you can get an audio/text version of Pride and Prejudice. Magazines will soon more resemble cable TV shows and will cost only pennies added onto your phone bill. Likewise newspapers. Already music recordings are being trafficked this way and the record album/ten-cut CD will soon be a thing of the past. Soon everything will be an app. You will buy an appBook by simply touching an icon on the screen of your personal EverythingPad. It will be downloaded to you by satellite from some server in Qatar or Waxahachie and you will be able to read it at your leisure either with or without audio.
Sam Cutler, a former roadie with both the Stones & Grateful Dead, is releasing "You Can't Always Get What You Want" on the multimedia iPhone application. Available for $9.99, it contains Cutler's-narrated audiobook synchronized with the text, video links to two interviews, and more than 30 photos.
http://itunes.apple.com/us/app/id365685513?mt=8
OK, why am I spending this time to remind you of facts that you already know? Nothing I'm saying here can have escaped your own observation. The significance of it is in how we go about our work as creators. When I finished the online version of Cool Calm Collected a few weeks ago, I lamented not being able to produce a hand-held book that was as media-rich as what I could present on the web. That was limited thinking. Books like these, which include audio and visual illumination are already becoming available as apps. There is going to be an increasing and sustained demand for these multi-media apps, and the production of them is bound to be a big business.
Share your thoughts with me on this.
The answer to that question is probably 'never,' the rate of cultural and technological change doesn't show signs of slowing, but I think I can predict what the next hill will look like in this mountain range.
All of the formats are in the process of changing. Our idea of what a newspaper or a book or a recording or a magazine looks like and how it is conceived, produced, distributed and consumed will soon be entirely different. In a real sense we can look for a world in which all information is potentially available to all people. The confusion that we witness right now is the result of the squabble over who is going to be able to charge who for it. My prediction is this: The iPad, in its future iterations will be the new proscenium, the new frame, the new page and arena for publishing of all kinds. Because of the confluence of this device and ones that will follow it and the internet and worldwide telecommunications, the next generation of books, records, newspapers, magazines will all be called apps. This is already happening. For a buck on iTunes you can get an audio/text version of Pride and Prejudice. Magazines will soon more resemble cable TV shows and will cost only pennies added onto your phone bill. Likewise newspapers. Already music recordings are being trafficked this way and the record album/ten-cut CD will soon be a thing of the past. Soon everything will be an app. You will buy an appBook by simply touching an icon on the screen of your personal EverythingPad. It will be downloaded to you by satellite from some server in Qatar or Waxahachie and you will be able to read it at your leisure either with or without audio.
Sam Cutler, a former roadie with both the Stones & Grateful Dead, is releasing "You Can't Always Get What You Want" on the multimedia iPhone application. Available for $9.99, it contains Cutler's-narrated audiobook synchronized with the text, video links to two interviews, and more than 30 photos.
http://itunes.apple.com/us/app/id365685513?mt=8
OK, why am I spending this time to remind you of facts that you already know? Nothing I'm saying here can have escaped your own observation. The significance of it is in how we go about our work as creators. When I finished the online version of Cool Calm Collected a few weeks ago, I lamented not being able to produce a hand-held book that was as media-rich as what I could present on the web. That was limited thinking. Books like these, which include audio and visual illumination are already becoming available as apps. There is going to be an increasing and sustained demand for these multi-media apps, and the production of them is bound to be a big business.
Share your thoughts with me on this.