Thank you! It was mostly fussy, detail work. Once I'd separated each stanza, it was a fairly simple matter to stagger them. I wanted you to start things off - but I HATED my rendition of "synagogs...", preferring yours - but once I realized that the two "mupples" (sonatas?) were simply repeated, I was able to use my 2nd reading of it, which wasn't as bad. Also, I tend run my words together, like the "BoommmBoommmBoommm" at the very end - and I much preferred your more percussive "Boom Boom Boom" - so I shortened the gaps between each or your "Boom"s just enough that they'd start at the same time as a "Boommm". Other places I'd done it, I inserted a few hundred milliseconds of silence between words to give a more natural flow. Lots of stuff like that. I can still hear a few places I wish I'd tinkered the timing a bit more.
Finally I applied audio compression to the lot (squashing the dynamic range between faintest & loudest sounds), boosted the overall volume by some 6-7 db, panned myself to 60% left channel, 40% right, & did the opposite with you. I exported the whole thing to a single 2-track WAV file, in which I adjusted the pauses between stanzas to about 1 sec each, & about 2 sec between the mupples. Just before exporting to MP3, I prepended your acknowledgement of the author, & stuck in the plug for those incredibly talented voice actors...
Speaking of which - I was struck by how much your voice reminded me of Terry Gross, host of NPR's "Fresh Air" !