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interesting link, gracias s-t!. And you don´t need to be embarassed!: my description of the books were not too precise and one of the covers is orange! 
Long article the rest of it is hereUlysses is probably the foreign novel which has had most influence on Argentinean narrative fiction. At times it seems to be as much ours as if it had been written in Argentina. And in a way it was. Ulysses was published in Paris in 1922, and its odyssey through Argentinean literature began, as might be expected, with Jorge Luis Borges. As early as 1925 Borges boldly claimed ‘I am the first explorer from the Hispanic world to make landfall on Joyce’s book’. A year earlier he had attempted what may very well have been the first Spanish version of the text, a translation, in a heavily Buenos Aires dialect, of the final part of Molly Bloom’s soliloquy.
In his article ‘El Ulises de Joyce’ (Joyce’s Ulysses), Borges said that he approached Ulysses with ‘the vague intensity exhibited by ancient travellers upon discovering a land new to their wandering surprise’. He was quick to anticipate the question inevitably asked of everyone who reads this endless novel: ‘Did you read it all?’ Borges replied that he had not, but that even so he knew what it was, just as one can know a city without having walked down every one of its streets. More than just a caprice, Borges’s response in fact represented a shrewd methodological statement: Ulysses should be read as one might walk through a city, making up an itinerary, sometimes retracing one’s steps on the same streets and completely ignoring others. Similarly, a writer cannot be influenced by all of Ulysses, but rather by one or other of its chapters, or one or other aspects of the book.