Root of Desire
(draft 1, part 1) Chapter 2: Challenge
Renata awakens. She is lying beneath a tree, on a summer morning. Her clothes feel strange, different. She has no idea where she is.
She hears other people's movements close by, smells their animal odors. She open her eyes.
Around her she sees people in brightly garbed array, some lying on the ground, perhaps a sack of belongings as a pillow, or not, some rising upwards from sleep to activity. She looks up to sky, through dark green of healthy leaves, becoming light, going through shades of hues fractured by a rising Sun. She breathes deeply, taking in what she can. It seem best to do away with expectations.
"Figure out the puzzle. Look at the pieces for clues. I am awake; and in a foreign place. I must be careful in my actions while I learn how things are done here. These people appear relaxed, not hostile."
She allows herself to rise slowly, circumspectly surveying her companions. This is a very small forest, no, not a forest, but what? Trees, benches, wild flowers, an ornate fountain not too far beyond this grove where people appear to wash and play, strange odors, strange sounds, she restrains from compartmentalizing. This must be some sort of magical kingdom the Goddess has transported her to, to save her from her dreaded fate.
"Thank you, Goddess. I will not let this strangeness detract from your great gift. It will be my challenge, my gift to you of my profound acceptance. I will find my way here, as you have opened this opportunity."
Smiling, joyful in a way she had never known before, Renata becomes aware of the curious smile of a young man in her path. His attitude toward her, she feels, in puzzlement and gratitude, is that of an equal, a potential friend.
"What shall I say? Who am I in this place?" she wonders, nervously. Experienced as she has been with listening noncommittally to those around her, she is still too overcome by all this sudden change in her circumstances that nervousness takes hold.
"Rory, I'm Rory. And you seem familiar, too. That is why you're looking at me so pensively? Because you can't remember my name?"
He is jolly, well met, fine and sandy, easy to smile with, to feel cheered and comfortable. She likes him.
"Of course you are Rory. And where are you off to today?" She delivers a breezy tone filled with sunshine and a kiss of morning dew. He seems pleased.
"Let's go get some breakfast, Sunshine." He grabs her lightly at the arm. "I know a place where the donuts and coffee are free if you listen to their boring sermon. You don't really have to listen, just pretend while you're eating."
It seems a reasonable way to learn more about her surroundings. She is hungry, but had put that off until she could learn enough to focus on food. This Rory obviously wants company in his little scam. She would give him a more pleasant focus than the dreaded sermon, and she would pick up what she could of local customs.
"You don't say much, Sunshine." He comments as they walk along roads paved of various hard materials between large structures filled with wares. Vehicles of various sorts carrying people and more goods appear on these roads, sometimes moving at alarming speeds. She concentrates on moving nonchalantly, letting the ever-changing scenery wash over and around her. It will all become clearer over time, she hopes.
"Haven't anything to say just now. I'm sure you'll hear me plenty when I do." She replies flippantly, or at least so she hopes he will take it, without question.
"Or maybe you're the strong, silent type, intense and ready for action, or too cool for words?" She feels as well as sees his easy smile, and knows they are in sync.
Concentrating on this repartee, letting the scenery be scenery, Renata feels herself falling into place. So far, so good, following through.
* * *
They arrive, enter a door next to a large glass window decorated in bright colored paint. It is a portrayal of a man on a cross. Bloody red holes mar his hands and feet. A thorny green crown sits on his head.
Inside are cakes and hot black drinks on a short table. A few others are also eating and drinking. On the floor, next to a large, tattered chair, a woman sits, rocks, dirty and worn looking. Her shaking hands make attempts to feed coffee to her lips, but more is spilled on her worn and spattered dress. She has been mumbling incoherently. She is getting louder. Renata starts to make out words.
"They fill yer belly with their babies. No more babies. They hurt and make me so sick. The men, they fill me with their nasty liquid babies. They make them grow in me, take over my body, make me sick, and cut so hard to get out. I won't take them, horrid demons. So they throw me back in the street for the men to fill me again, hurt me again. It hurts, it hurts, it hurts. No more babies. No more pumping out their nasty babies. I won't. I won't go there. You can't make me leave." She burbles, gasps, cries, mumbles, and repeats her litany. She rocks her body, suckles on her fingers and strands of long, lank hair. She seems in a trance, perhaps poisoned, perhaps cursed.
From further back in the room, a man dressed in black, prominently carrying a black book, approaches the group around the table.
"Don't mind Betty. She's a hard case. We can't find anywhere that will take her." He seems perturbed by this inconvenience, embarrassed by this woman's plaint.
Thoughts of keeping still while learning how to blend in have flown from Renata's mind. She goes quickly, yet with gentle motion, to sit beside this Betty. Close up, she is surprised to see this woman is young, certainly no longer a child, but not the old used up hag she had appeared to be. Her burbling snot and tears mixed with spilled coffee and older stains make her an unappetizing sight. Yet, there is something so fragile, so sad and affecting in her defiantly defeated form, Renata can not help but reach out her arms to comfort.
Rory ambles over with more cake and coffee to share. He is awed by this instant, by Renata's compassion and Betty's plight. He wants to be a part of the drama, the connection.
"I know a squat, a place that was abandoned, people stay there. Really, it's a cool space. We could bring her there, stay ourselves and get her settled. The people, they're ok. They won't hurt her. They'll be fine. Unless you have somewhere else?"
Of course, Renata has no where else. She is still adjusting to being in this somewhere else. Why not take what is freely offered and also helps this sad soul she seems to be taking on? Perhaps this is all part of the Goddess's plan for her, for the destiny she must fulfill, the reason she has been saved from a life that she has no further need of, that was never really hers to lose.
* * *
(draft 1, part 1) Chapter 2: Challenge
Prose, including snippets (mini-memoirs).
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