As usual, Doreen:
You show a lot of good sense and restraint in your reply.
The only reason I explained my motives in the post was your use of the phrase "anybody else" to widen the definition beyond "columnists", such as LR.
The NAMBLA site is actually rather tame. I read all the content available there and none of it shows any photo, drawing or other graphic depicting any sex act of any sort. It does contain articles by both men and women advocating a re-assessment of the legal age for sexual activity between adults and minors. It presents this point of view under the umbrella of "civil rights" and "human liberation." It also refers to the point of view dominating the site as "revolutionary."
The COPPA ( what a perfect acronymn-- that's not "gangsta" talk is it? --just kidding) organization sounds interesting. I wonder what the reaction of such an organization might be to advocating sex between animals and humans as viewing material for thirteen-year-olds?
I ask such questions because of a reply I heard on a radio interview with Michael Caine a few years back. Caine was asked why the British permitted nudity in tv broadcasts-- on series programs, in movies and commercials. Why, the interviewer asked, did the Brits let sex into the home in this way?
Caine's witty reply was, "Because that's where it BELONGS-- in the home!" He went on to explain that, in his view, the family ought to be the primary regulator of a child's viewing, and that becoming accustomed to what was acceptable and not acceptable ought to be part of training a child's awakening moral sense. That, he felt, was best accomplished in the home.
In the US, anything having to do with children gets more attention than anything else. Witness the now long forgotten Elian Gonzalez case.
We are willing to blow other, "foreign" children to kingdom come, entirely rip away their social fabric and sense of security, so vital to growing up sane, and kill their parents before the frightened child's very eyes.
Yet, even hint at a whiff of child molestation, yet alone child rape in the US, and you have everyone more virulently enraged than a case of murder one.
The McMartin Preschool scandal and media feeding frenzy is a good example.
This Internet site gives a good deal of background on the case:
http://www.religioustolerance.org/ra_mcmar.htm
The McMartin Preschool case prompted the longest trial in US history, and the most costly, at 15 million dollars. No indicted persons were found guilty as a result of the trial. But the lives of many adults and children were significantly affected.
While the prosecution of the case may have been well-intentioned, the techniques used to investigate the case's allegations and to question witnesses were naive and flawed at the deepest level.
But the revelation that over 95 percent of the public surveyed repeatedly before, during and after the case( in which all defendants were acquitted ) believed that those accused were guilty is revealing.
I bring up these matters, not to draw comparisons to Jackson, Polanski, or Ginsberg.
The actions and memberships and advocacies of these three are a separate matter. I mention the McMartin case merely to show what can happen when the mass media set about "raising the consciousness" of vast hosts of the credulous.
Pedophilia is wrong, in my view, and I included a link giving information on laws governing the legal age for sexual activity by state in one of my posts.
But it is possible to discuss pedophilia when it is the subject of, or touches on the lives of artists.
Vladimir Nabokov couldn't get "Lolita" published in the US in 1955, having to resort to a European press. Stanley Kubrick's 1962 film of Nabokov's novel dances around the edges of the pedophilic heart of the story's theme. Even Adrian Lyne's late nineties version couldn't get distributed in the US at first, and finally came out via HBO.
Lyne's film does depict the relationship between a twelve-year-old girl and a man in his forties, however, unlike James Mason and Sue Lyon's ( at age 16) earlier very restrained performance.
Lyne has also managed to capture the "demonic and haunted" tone of the work quite well.
I concur with the verdict of Nabokov's son Dmitri, brilliant and imperious watchdog of his father's work:
"a brilliant version of the novel for the screen."
But, as a society, we apparently haven't changed a great deal in fifty years in our view of Nabokov's "pedophilic-themed" work.
Here's an interesting web site and discussion of the three works, the novel and the two films of "Lolita":
http://www.sensesofcinema.com/contents/ ... olita.html
Zlatko