Dear Stilltrucking:
One of the themes I wanted to suggest in the title I gave to this thread was that imagery is powerful, even when it's merely lines on paper.
To take an example less exalted, and less fraught with cosmic
( and human) consequences, I choose comic books.
During the Fifties, comic books, particularly the "EC" label
http://www.reason.com/0506/cr.fh.the.shtml
, were believed, along with rock and roll and a few other phenomena, to be contributing to "juvenile delinquency."
This fear ( paralleled by the "red scare" of Communism in the US), kept the comic books out of the hands of growing children (like me).
The idea ( before anyone spoke regularly of the piercing and transformative power of tv) that these comic books, depicting terror and murder, could be circulated among the young without censorship frightened the moral guardians of American society.
This fear led to the formation of the Comics Code Authority:
( part of the story of the Code and Frederick Wertham's analysis can be read here):
http://www.onceuponadime.com/hist/comicscode.htm
Dr. Wertham and others feared for the "corruption of America's youth" in a fashion often considered laughable today.
Frank Miller, a comic book artist, whose comic book series, "Sin City" was made into a highly successful commercial motion picture, has long crusaded for the repeal of the Code, as well as a general re-adjustment of the moral rules governing comic books, their production and distribution.
http://en.wikipedia.org/wiki/Frank_Miller
Comic book censorship has been an issue in American mass media for fifty years:
http://weeklywire.com/ww/09-08-98/alibi_feat2.html
And why am I bringing this up on a thread having to do with Danish newspapers publishing political cartoons?
I leave you to discuss further ( perhaps) this comment made by a close friend of mine who happens to be a Muslim:
"What those people over there ( the "Middle East") and their clerics don't want to see is the full saturation of their society by the kind of crap you in the West glory in. They don't want Sin City, Brokeback Mountain and Sex in the City. They believe in traditional values. Their traditional values."
Note: I've chosen to speak about comic books to discuss my ( his) point because I know something about the medium. A similar exposition could be written for other media, television, for instance.
Please distinguish carefully between my remarks on the CCA, the history of the comic book, and censorship in general. Those of you who "know" me a little and have read my posts know that I am no advocate for censorship.
And, finally,both newspapers and "comic books" contain cartoons.
I end this comment by quoting Frank Miller:
"Remember that these pictures and stories of mine you consider so injurious are only lines on paper . . ."
( FRANK MILLER/ Comics Journal, 1997)
See all of you later.
Great discussion.
(footnote):
I smile rather broadly over rule #3 in the CCA when I gaze upon contemporary politics in Washington D.C. and The White House:
(paste from CCA)
3) Policemen, judges, government officials, and respected institutions shall never be presented in such a way as to create disrespect for established authority.
( end paste)
--Z
Zlatko