N y B - Spanish
N y B - Spanish
<center>blanco... blanco
negro - negro - negro
blanco... ~BLANCO~ ...blanco
negro
negro
N.E.G.R.O.
negro
negro
blancoblancoblanco
N.E.G.R.O.
B.l.a.n.c.O.
blanco... blanco... blanco
negro... blanco... negro... blanco... negro
blanco... negro... blanco... negro... blanco
BLANCO
BLANCO
BLANCO
*
*
*
negro... negro... negro
* * *
Negro/Blanco/Negro/Blanco/Negro/Blanco/Negro
blanco
blanco
negro... negro
blanco
___
___
___
B&N
</center>
negro - negro - negro
blanco... ~BLANCO~ ...blanco
negro
negro
N.E.G.R.O.
negro
negro
blancoblancoblanco
N.E.G.R.O.
B.l.a.n.c.O.
blanco... blanco... blanco
negro... blanco... negro... blanco... negro
blanco... negro... blanco... negro... blanco
BLANCO
BLANCO
BLANCO
*
*
*
negro... negro... negro
* * *
Negro/Blanco/Negro/Blanco/Negro/Blanco/Negro
blanco
blanco
negro... negro
blanco
___
___
___
B&N
</center>
Last edited by mtmynd on July 9th, 2008, 12:22 am, edited 2 times in total.
- Doreen Peri
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emel_scott... i was a faithful and dedicated zig-zag man for many years... something about the thin, almost transparency of the paper and the delicate sound it made during the roll... it was hard to beat.
yes, the is piece is a new direction for me - my bilingual influence living in a border town. but you have noticed again (see B&W) that I also used a complimentary stimulating balance of not only bold and italics, but the impression of black and white riddled throughout the write. This would be understood by even somebody that did not have any grasp of the Spanish language, but would know the understanding was not limited to language interpretation, but rather the B&N, (or as I possibly should have named it, NyB), or blanco and negro.
westie-J... a good evening to you and thank you. By referring to the great Argentinian dance, El Tango, you have quickly and clearly related to the Spanish speaking language used in this piece. I find it just as intriguing that you identified with dance in this piece. My compliments to you as that was a very smart deduction on your part and one that many readers may have overlooked. Composition. Repeat: Composition... the all important balance, either symmetrical or asymmetrical... all compositions, regardless of name or title, rely on that one basic formula whether consciously or not to honestly convey the hope and desire of understanding that lies behind all the intent of each creative endeavor.

yes, the is piece is a new direction for me - my bilingual influence living in a border town. but you have noticed again (see B&W) that I also used a complimentary stimulating balance of not only bold and italics, but the impression of black and white riddled throughout the write. This would be understood by even somebody that did not have any grasp of the Spanish language, but would know the understanding was not limited to language interpretation, but rather the B&N, (or as I possibly should have named it, NyB), or blanco and negro.
westie-J... a good evening to you and thank you. By referring to the great Argentinian dance, El Tango, you have quickly and clearly related to the Spanish speaking language used in this piece. I find it just as intriguing that you identified with dance in this piece. My compliments to you as that was a very smart deduction on your part and one that many readers may have overlooked. Composition. Repeat: Composition... the all important balance, either symmetrical or asymmetrical... all compositions, regardless of name or title, rely on that one basic formula whether consciously or not to honestly convey the hope and desire of understanding that lies behind all the intent of each creative endeavor.

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well, you will be happy to know mtmynd that while Googlin Blanco y Negro to get a nice deja vous kick from the image of the sax player (unsuccessful I might add) I found out that Zig-Zag is still (by far) the paper of choice for discriminating professionals...lol
We should not mind if on our ear there fell. Some less of cunning, more of oracle...Thoreau
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